Implications of “Social Distancing” on the Entertainment Industry

Hearing and Healing: Indigenous Artists Talk Music and Reconciliation at the 2017 Global Forum Breakfast 

Last month, I had the pleasure of attending Canadian Music Week’s 2017 Global Forum Networking Breakfast – a Music Canada sponsored event that celebrates and recognizes individuals and organizations in the music community who are using music to make the world a better place. This year’s topic was “The Power of Music: Indigenous Artists Discuss […]

Not-So-Compulsory Licence: a Proposed (and Rejected) Solution to Copyright Infringement in Derivative Musical Works

In a recent MTV news article, author Miles Raymer opined over the “hopelessly broken” state of the US copyright system. While such a sweeping statement clearly oversimplifies the state of copyright law in the digital era, there may be some truth to it. Raymer focuses particularly on the tension between an ever-increasing market for derivative works […]

Infringement City Blues (Make Ed Sheeran Wanna Holler)

Flanked! Two Ed Sheeran songs now face copyright infringement actions. One alleges Sheeran’s “Photograph” copied a song called “Amazing” written for X Factor winner Matt Cardle. Richard Busch—also counsel for the Marvin Gaye estate in the “Blurred Lines” case—filed in June on behalf of “Amazing”’s copyright owner, HaloSongs, Inc. Another, filed in August on behalf […]

Music and Copyright: How the Supreme Court Struck the Right Note in Robinson (Even if its Timing was a Little Off!)

In the recent case of Cinar Corporation v Robinson, the Supreme Court of Canada considered the scope of copyright in a children’s television show. The defendants’ show, Robinson Sucroë, was, frankly, so similar in its essential elements to that developed by plaintiff Claude Robinson that few people, if any, were surprised by the Court’s finding […]