Emily Chow is an IPilogue Writer and a 2L JD Candidate at Osgoode Hall Law School. Mariah Carey’s 1994 tune “All I Want For Christmas Is You” is one of…
Category: Music Industry
Notes on CSUSA’s Breaking News Series: Supreme Court of Canada Rules on “Making Available”
Emily Chow is an IPilogue Writer and a 2L JD Candidate at Osgoode Hall Law School. I recently attended the Copyright Society of the USA’s event, “Breaking News Series: Supreme…
in Blogs, Canada, Copyright, IP, Music Industry, Music Industry, Supreme Court of Canada0by Editor
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SOCAN v ESA: Royalties in the Age of Streaming
Emily Chow is an IPilogue Writer and a 2L JD Candidate at Osgoode Hall Law School. On July 15, 2022, the Supreme Court of Canada (“SCC”) released its decision for…
Viral TikTok Music Trends as Low-Cost Marketing – Who gets to choose how and when a song is released?
Michelle Mao is an IPilogue Writer and a 2L JD Candidate at Osgoode Hall Law School. Big-name celebrities like Halsey and Florence Welch of the indie rock band Florence and…
The Tiktok Effect: Why Record Labels Are Forcing Their Artists to Make Viral TikToks
Raenelle Manning is a IPilogue Writer and 2L J.D. Candidate at Osgoode Hall Law School. TikTok’s effectiveness, as a music marketing tool, became apparent during the early COVID 19 quarantine…
in Blogs, Broadcasting Regulatory Policy, Copyright, IP, MediaLaws, Music Industry, Music Industry0by Editor
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Regulating Netflix, YouTube, and TikTok: Reactions to Bill C-11
Emily Chow is an IPilogue Writer and a 2L JD Candidate at Osgoode Hall Law School. In the age of streaming, social media, and subscription-based entertainment platforms, critics have called for amendments…